Wednesday, December 19, 2012

GLS AUDIO Bulk Microphone Cable 300' Green Mic -300ft Signal mike cable Review

GLS AUDIO Bulk Microphone Cable 300' Green Mic -300ft Signal mike cable
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I'm an audio engineer and usually make my own cables for stage and/or installation jobs. So, I am picky.
At first I was leary of getting mic cable at such a good price. I normally use Canare Star Quad, but I had to find mic cable fast for a small installation job at a church. I had volunteer help on short notice, but didn't have enough Canare on-hand, so I overnighted the GLS mic cable.
When I opened the box, the heavy duty cardboard reels were well packaged. I immediately got my pocket knife out and peeled back the rubber jacket to reveal the copper shield, several strands of string and white and a red plastic-coated stranded copper wires. Let me expound on the cable's elements:
RUBBER JACKET - for sound installation, this works fine. I don't know how it would hold up over time for use in live sound. It does peel very easily once you cut it, and that's a plus. I was able to install connectors quickly.
COPPER SHIELD - this is not braided copper. At first I thought that could be a detriment, but again, it works well for installed sound. I had to pull 4, 150' lengths for choir mics and all mics are working fine with no noise or RF interference.
STRING - this appears to be cotton string used in manufacture and it cuts easily and doesn't fray.
RED & WHITE CONDUCTORS - These surprised me. They appear to have a rigid plastic feel, but the outer plastic cuts away easily leaving the durable strands of copper. Also when soldering, the plastic doesn't melt or draw-up. All of the copper heats evenly and distributes the solder very well.
Great product with great service from the folks at Orange County Speaker.

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TheGigEasy Side Mount Mic Stand for iPad Review

TheGigEasy Side Mount Mic Stand for iPad
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Just seeing people's reactions to it makes it worth having. For the price I was hoping for something more heavy duty, but it does the job. The fact that it can be rotated makes it superior to the other products out there. If it was beefier, I would have given it 5 stars

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Tuesday, December 18, 2012

MK10 Lightweight Boom Stand Review

MK10 Lightweight Boom Stand
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It's solid and fully portable, includes a microphone clip but it's really short, just to play guitar sit down, but the quality was great, just too short.

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CAD Pro-4 Drum Microphone Pack Review

CAD Pro-4 Drum Microphone Pack
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I already have some high end condenser mics for drums but I needed some road worthy dynamic mics. These are
nice, come with clips and the case, Upon hooking them up it is easy to hear they have been fine tuned for the each drum. The snare mic does not sound the same as the tom mics or the kick mic, So CAD spent some effort in fine tunes these to do what they are designed to do. All at an unbeatable price.

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Acesonic UHF-2932 Dual Rechargeable 32-Channel UHF Microphone System with Infrared Sync Review

Acesonic UHF-2932 Dual Rechargeable 32-Channel UHF Microphone System with Infrared Sync
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The response of the mike isn't quite what I had hoped but it produces good clean sound. The receiver and charger base is inovative. Works well enough for my purposes.

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Behringer RX1602 16-Channel Mixer Review

Behringer RX1602 16-Channel Mixer
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This mixer does what it advertises, almost.
The good: It works. It's not of quality I'd use for a combining mixer in a recording environment, but for tying multiple sources together (e.g. several computers, outboard synthesizers, etc) it does the job nicely. I very much like the fact that it's rackmounted: this was purchase to replace an original model Mackie 1202 desktop mixer. Overall, as a simple rack line mixer, it's adequate, and downright great for the price.
My major complaint with this is with the monitor mix. The concept of having a separate monitor mix is fabulous, and I was exciting to find it in a mixer in this price range. That mix is monaural. Again, no big deal. The kicker: the monitor mix, not the main mix, is tied to the headphones. In one way this may seem appealing because it allows completely different mix from the main levels. Unfortunately, as mentioned above the monitor mix is MONO. Rather than mixing in stereo, so the headphones could be stereo, and combining the L/R channels just before the mono output on the back, signals are combined at each channel input; before the monitor mix is created. Result: Monaural headphones. For some things, like a monitor in a recording studio, this might be fine. For me, this is a crucial failure. I need the ability to easily switch between headphones and speakers, and monaural headphones are simply not an option.
Thus, this mixer failed to be what I needed it to be and I'm left doing some really creative wiring through a patch panel to physically route the output to a STEREO headphone amplifier or speakers so I can have what I thought this mixer would do. If you don't need the headphones at all, this mixer is great. However the fact that one of the two main outputs on this mixer is essentially worthless leads me to give it only 3 stars.

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Monday, December 17, 2012

Sennheiser ME 4-EW cardioid EW microphone Review

Sennheiser ME 4-EW cardioid EW microphone
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...because although it works well when it works, it doesn't seem to last very long. We've gone through two of them in the past 5 years. I'll edit this review to let you know how the return process goes.

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